The Tuesday Night Bloggers: My five most/least favourite Ellery Queen novels

The Tuesday Club Queen

A group of related bloggers who work in the general area of Golden Age Mysteries has decided to collaborate and publish a blog post every Tuesday as the Tuesday Night Bloggers. We began in the spirit of celebrating Agatha Christie’s 125th birthday anniversary. We’ve now going to continue with a different Golden Age mystery writer every month; Tuesdays in November will be devoted to Ellery Queen.

A note: henceforth when I refer to “Ellery Queen” I mean the literary character. Any reference to “EQ” will refer to the two real-life cousins who wrote together and signed their work as Ellery Queen.

My five most and least favourite Ellery Queen novels

It’s always difficult to pick just a few titles from a lifetime of writing, but rather than simply present you with my “five best/five worst” list, I thought it would be worthwhile to give you an example of the factors that bounded my decision. I trust that will make it easier for you to decide if you agree for yourself or not, because it’s usually the case that there are as many opinions about such things as there are devoted readers of any author. What I think is most important is not whether you agree with me, but if you get to spend an enjoyable moment thinking, “Why, that nitwit, it’s perfectly clear that the best/worst one is X because what *I* like most about the work is …”. So have fun deciding exactly where I went wrong!

It seems to me as though for many mystery writers there is something that they’re trying to say, or a theme they’re trying to express, that you can find repeating throughout their work. One underlying theme is “Police work is demanding and difficult, but somehow rewarding.” Another is, “I wrote this so that you could have fun figuring it out, but I’m not really serious.” (Freeman Wills Crofts and Phoebe Atwood Taylor, respectively.) Sometimes an author will have two modalities: Robert Barnard, for instance, was as wacky as Taylor half the time and  wrote dark and complex literary mysteries the rest of the time.

Ellery Queen, though, showed us FOUR different themes during different time periods. Period 1 is generally acknowledged to be the “nationalities” mysteries, where the focus is on pure logic. Let’s call the short Period 2 “trying to get Hollywood’s attention”; plot-heavy, snappy dialogue, simple caricatured characters. Then Period 3, “Wrightsville”, where EQ mixed crimes and small-town American values. Period 4 was “solve the imposed pattern” mysteries, where Ellery met a situation where there was some sort of structured pattern of events that didn’t make sense unless you knew the hidden theme. Next, Period 5 was when Ellery Queen became a house name, and the theme was “here’s an exciting, shallow, and straightforward story about a crime”. I think instead of defining a Period 6 it’s easier to say that Period 4 resumed after Period 5 had run its course; the quality declined at the end of this long oeuvre but the theme of the imposed pattern remained the same.

I differentiate here between my idea of a theme, and something that many people have noticed about Ellery Queen stories — they’re frequently structured like “first the false solution, then the true one”. Yes, I agree, this is frequently the case — but it’s not thematic, it’s a way of telling that thematic story. That’s why it cuts across all the EQ periods in the same way as their standby short story structure (which is, “X is dead, A, B, C are the suspects; they all look equally guilty but two are disqualified because of Z”).

I’ve gone into this in a little detail because I think it’s important for you to know that I enjoy Periods 1 and 3 the most, and that’s likely to colour my ideas of which novels are my most and least favourite, and why. I don’t really think Period 4 is the equivalent of Period 1 … your mileage may vary simply because you prefer one theme to the other. In the same vein, I’ve deliberately called these my “most and least” favourites — not “best” and “worst”; and I’ve excluded volumes of short stories.

My five most favourite Ellery Queen novels

And, as you will soon note, in reverse numerical order. My favourite EQ novel is at the end of this list.

5. The Siamese Twin Mystery (1933)

siamese-twin-cover-pocketbookThere’s not much to the puzzle issues in this book; the clues are slight and well-hidden. There’s a tiny bit more coincidence in a few of the plot twists here than I ordinarily prefer (the initials of one character, for instance, are a stretch). But the situation that underlies this book is perhaps the most exciting thing EQ ever wrote; all the characters are stranded at the top of a mountain and, chapter by chapter, the fire is creeping up the mountain towards them. As Thelma Ritter observes in All About Eve, “Everything except the bloodhounds snapping at her behind.” This book is beautifully put together to increase the tension in a long slow slope. By the time the fire reaches the mountaintop your nerves are pitched at the point where you want to scream and hide your head, but you absolutely must know what happens next. It’s a wonderful experience and masterfully written.

4. Calamity Town (1942)

d90baa33c135fd52b915c8f508884828This book is so excellent in so many ways … It’s from Period 3 and is really the volume where Wrightsville comes into full flower. Halfway House seems to have given the EQ cousins their first taste of making small-town America a character in their book, or an ongoing landscape against which morality plays were displayed. In Calamity Town they have a sure-handed mix of the detective plot and the small-town America setting, and a story that links them both together. This is one of the two novels in which EQ demonstrated their understanding of how a media frenzy works; the other one is my next entry, Cat of Many Tails. I really think this is what Dorothy L. Sayers was talking about when she wanted detective fiction to become “a literature with bowels”; this is a strong family drama about horrible things happening to nice people. Ellery, as the outsider, is the perfect narrator and begins his process of worming his way into the heart of Wrightsville.

3. Cat of Many Tails (1949)

cat-of-many-tails-2An absolutely crucial step in the development of the serial killer novel, this beautifully written book is a look at the investigation of a Manhattan-based serial killer who is strangling victims with pink and blue cords: pink for girls, blue for boys. It’s told in a recomplicated style that introduces dozens of characters and follows them for varying lengths of time; a few close relatives of the first victims form a small group of amateur investigators helping Ellery solve the case. The tension builds and builds and this novel is a classic in EQ’s best story-telling modality; the false solution, then the true. Brilliantly written in a whirlpool of action and tension.

2. The Greek Coffin Mystery (1932)

the-greek-coffin-mystery-1960-illus-james-meese-1I’ve written extensively about this novel before and how and why I like it so much.  (The previous piece is here.) Simply put, I think it’s the best pure puzzle mystery from Period 1 and one of the best puzzle mysteries EVER. It’s a long and complicated puzzle with lots of clues and some interesting characters. The narrative leads you in many directions but if you understand the tiny clues correctly, you can only come up with one very, very surprising killer. This is also the novel that contains the reason why Ellery never talks about his inferences and possible solutions until the end of each case, because he gets so badly burned here by speaking in advance. I can remember distinctly thinking I’d finally solved this one, in my teenage years, only to realize I’d been beautifully led down the garden path by a typewriter key.

1. The Murderer is a Fox (1945)

25b_FoxThis is my favourite Queen, and I suspect I may well be alone in this. It’s a Wrightsville novel from Period Three and most people automatically accept the consensus that Calamity Town is the best Wrightsville novel of all. That novel is certainly fine. But this novel has all the good points of Calamity Town, plus it has a wonderful familial intimacy that the other novel only hints at. These are real people who are suffering greatly, and trying to reconstruct the actions of a fateful day years ago. And the writing is just so beautiful … you can
tragedyofy-avonsee tiny dust motes dancing in the air of the attic, you can see the lines on Davy Fox’s face that shouldn’t be there but for the war. There is not a lot of evil intent here, but there is great and powerful sadness. It’s also one of the few endings where Ellery cheats justice in a good cause; ultimately this novel is about how we should treat war veterans and rarely do.

And two explanatory notes. I have deliberately drawn my terms to exclude the four Barnaby Ross novels but if I hadn’t, I would have had to find
ARoomToDieIna way to wedge The Tragedy of Y (1932) into this list. And if you want to know what my favourite ghost-written Ellery Queen novel is, it’s A Room to Die In (1965), written by science-fiction writer Jack Vance.

My five least favourite Ellery Queen novels

Again, in reverse numerical order.

5. The Glass Village (1954)

ggpb0776I don’t care for this novel for a number of reasons. One is that it pretty shamelessly takes off the real-life Grandma Moses, which is a bit lazy. What really bothers me, though, is that this novel is like a Wrightsville novel, if Wrightsville had been populated by inbred cretinous bigots. Wrightsville has the advantage of being balanced and realistic in other novels; this is the Dark Side, and it’s very unpleasant. The book as much as admits to the reader at one point that the plot depends on nobody having access to a long-distance telephone, which is unlikely, and to me the central plot point that identifies the murderer was clear and obvious. Yes, I get that this is about McCarthyism and the mob mentality. But it’s just unpleasant and unhappy and discouraging.

4. The American Gun Mystery (1933)

dell0004This one is on my list as one of two Queenian adventures here where I just flat-out cannot believe the solution. In this case, without getting into details, I cannot accept where the gun was said to be hidden; it’s not built up enough to be remotely possible. All the foofaraw with closing the circle and searching 80,000 people in the audience was just so much fluff. The suspects all seem phoney and there is one character whom we never get to meet for long enough to see something that would have been nice to have a chance of assessing; a bit of a cheat. And the way in which Ellery attains the solution is, when all else fails, pull something ridiculous out of your ass because it’s the only thing left. Rex Stout did it much more elegantly and much more tersely in a 1960 novella, The Rodeo Murder (found in Three at Wolfe’s Door). 

3.The Origin of Evil (1951)

UnknownUnpleasant people doing unpleasant things against a backdrop of Atomic-Age paranoia makes for a very unpleasant book. And in this one, just as the outset of And on the Eighth Day, EQ makes fun of Period 2 — they mock the reader for ever thinking that Ellery could have been a screenwriter. The common theme that underlies this Period 4 novel is so far-fetched that it’s impossible to figure out even if you had more useful clues than being required to know that worthless stocks are called “cats and dogs”. And there’s something in this book that is so unpleasant to read … the misogyny and sheer hatred that EQ express for the “poisonous orchid” woman at the heart of this mystery through the lips of Ellery himself. It’s almost as though there was someone in the lives of one or both of the authors against whom they were taking revenge with this vicious portrait of a woman who is married to an impotent cripple and still has the nerve to want to be sexual.

2.The Four of Hearts (1938)

1543-1This is the most commercial novel the EQ partnership ever wrote, to my mind, and it’s meretriciously setting itself out to be a screenplay without caring that there’s nothing of any substance here. The movie-star characters seem as though they were created with specific actors in mind — fine, but if you expect them to be suspects in a murder mystery, don’t make them so darn perfect, because then the reader cannot help but solve the mystery by elimination. The plot line is flat and shallow and things happen for no really good reason, except that a change of location is needed to move the story along. The ending is both hard to understand and just plain silly. And perhaps it’s a very small thing, but I really prefer it it an author doesn’t treat me as sufficiently credulous to believe a “fact” that he just out-and-out makes up. Why anyone would accept that “in fortune telling, cards that are torn in half reverse their meaning” is beyond me; how many times have you accidentally torn a card in half? What they were getting at, of course, is that in a Tarot deck the meaning is reversed if the card is upside down. But apparently I cannot cope with the exotic knowledge that Tarot cards are one-side-up. Bah.

1. And on the Eighth Day (1964)

930-1I know I’m going to take a lot of flack for this — many people regard this as one of their favourite Ellery Queen novels. For me, this is a philosophical religious parable and not a detective story. You can tell that because the characters aren’t referred to as people, but as functions: Storekeeper and Teacher. And I find that kind of story intensely annoying, because to me it seems lazy. If you really wanted me to reach a philosophical and/or religious point, don’t take me by the nose and lead me through cardboard sets and silhouettes to illustrate that point — hide it from me and tease me with clues as to what it might be. (Some people say this book does that for them, I admit.) Put real people and realistic events into it and leave me a little ambiguity as to whether I’ve figured it out, but let me try to figure it out. The other part of why it annoys me is that it’s just so damn pompous. It’s as though the writer wants to tell you a story complete with a musical score filled with shrieking organs to let you know that this is a Really Important Story. It’s histrionic and overwrought and overwritten, and does everything except part the Red Sea to make the point. Oh, how I wish Manny Lee could have done the first draft of this instead of Avram Davidson; he would have been able to rein in Dannay’s plotting and make a real story out of this. And by the way, this book won the Grand Prix de Litérature Policière — it’s entirely probable that they know better than I do.

41sbh8qx8qL._SL500_I’ll note here that I’ve left out the final two Ellery Queen novels, The Last Woman in His Life (1970) and A Fine and Private Place (1971). Yes, folks, I believe these are pretty awful, and have said so here about A Fine and Private Place since it is #1 on my list of “mysteries you should die before you read”. But I’m willing to cut some slack to EQ on these two since they were written by elderly men who were at the end of a long and distinguished career. Both books are poorly executed, but they are at least trying to entertain; there is no point in reading them,
9780451071231but they have not gotten off on the wrong foot entirely like a couple of novels in this category.  Last Woman is impossible to discuss in any detail without giving it away in its entirety. But I think it would be fair to say that it couples an advanced and liberal view of a social issue with the most profound ignorance about its actuality; again, I can cut some slack here for elderly men who are trying to be progressive, but this book casually makes statements that are the equivalent to the modern ear of Agatha Christie using the n-word in the title of a book. For 1970, perhaps that might have been an advanced viewpoint; it’s pretty ugly today.

Let me pause at the end of this month of Tuesdays to tip my hat to Messrs. Dannay and Lee, who had a long and distinguished career in which they entered upon a path of untrodden snow and over the decades left the trail cleared and marked for everyone else to follow. They are one of the most important names in detective fiction and any criticism I have to offer is a small thing against their larger achievements.

Next month’s Tuesdays will be devoted to Ngaio Marsh. I hope you’re enjoying this guided tour and will continue to follow along! Your comments, as always, are welcome.

Ten interesting Agatha Christie novels

agatha-christieTo commemorate the 125th birthday anniversary of Agatha Christie (September 15, 2015) her estate commissioned a world-wide poll to find out what’s the World’s Favourite Christie. You can find the results here at, as well as interesting background and links to other interesting stuff. However, I’ll reproduce an ordered list here for your convenience.

  1. And Then There Were None (which has sold more than one hundred million copies)
  2. Murder on the Orient Express
  3. The Murder of Roger Ackroyd
  4. Death on the Nile
  5. The ABC Murders
  6. A Murder is Announced
  7. 4:50 From Paddington
  8. Evil Under the Sun
  9. Five Little Pigs
  10. Curtain: Poirot’s Last Case

This announcement was followed closely by an article in the Guardian by well-known crime/thriller writer Val McDermid wherein she claimed that The Murder at the Vicarage — which you will note didn’t make the list — is “the best Christie as opposed to the most popular”. You can read it for yourself here. McDermid talks about her childhood experience with this particular book as her introduction to detective fiction, and that she had read it again and again.  This  makes me think that, like my childhood experience with John Dickson Carr‘s The Red Widow Murders that has given me a lifetime’s affection for what is essentially a mediocre thriller, her childhood experience might be colouring her opinion. But TMATV is really a very, very good mystery, unlike Red Widow.

Both pieces caused a small flurry of discussion in my Facebook group devoted to Golden Age detection. There was the usual back-and-forth about the relative positioning of novels on the list, or the presence or absence of a particular title. What it made me think about was what was being championed. McDermid was clear that she wanted to talk about “the best-written Christie” whereas the Christie estate called it “favourite”. Similarly my colleagues and friends in Facebook and the blogosphere had worthwhile things to say about a number of Christie novels and suggestions for what their own top-ten list might contain.

Agatha-Christie-pictured--002I thought it might be useful to take a more consumer-oriented look with a slightly different focus, based on my self-selected role as a “curator” of such things. Sometimes I conceive of my role as a kind of consumer advocate, to be sure; “This book is worth your time/money/effort and this one is not.” But I also think part of my role is to bring to a knowledgeable readership things which will not necessarily make the top ten list, like novels with flaws or problems, but which reveal something interesting about the author, or are an attempt to try something new — even a magnificent failure here and there.

Here, therefore, is my list of “Ten interesting Agatha Christie novels”. I will say emphatically that these are in no particular order; in fact, they’re all about equal. Perhaps if you’ve finished someone else’s choices for the top ten you might move on to these. And of course I’ll provide a reason as to why a particular volume might pique your interest. The top ten are in no danger of being ignored, but these you might have overlooked.

119865642_6books_375265cThe Murder at the Vicarage (1930)

I’ll step right up to the plate and agree with Val McDermid. This is the first Miss Marple novel and it is the one in which her character is the most “pure”; she is described as being “dangerous”. This is not the fluffy and slightly scattered little old lady of later years. This is a woman with a mind like a steel trap and an acute sense of the squalid lives and minor-league wickedness of nearly everyone in her vicinity. And it is, as I’ve remarked elsewhere recently, a novel of manners. Okay, not Jane Austen, but certainly the central focus of the book is a scandalous love affair.

christie_crooked-houseCrooked House (1949)

A non-series standalone mystery with a truly surprising plot twist at the end. Christie herself spoke of it as one of her personal favourites and it’s one of mine also. There’s not much to it, plot-wise; a wealthy patriarch supports a large family of eccentrics and when he is murdered, there’s a long list of suspects.  It has a similar solution to an earlier Ellery Queen novel that I will not closely identify, just to say that it’s clear that Christie didn’t do this first. But she cleverly uses the reader’s assumptions against him/her.

482b49a5680ac8ced684e8847696fa26Death Comes as the End (1945)

This is a historical mystery set in ancient Egypt, and it reads surprisingly well. Christie was at this point married to archaeologist Sir Max Mallowan, so I’m ready to believe that the details are correct. What is surprising and pleasant about this novel is that it is very restrained about those details; it’s not so much about the details of Pharaoh’s court but more like where and how food is kept in a large household of the period. The mystery is not difficult but the book is quite engaging.

UnknownEndless Night (1967)

I’m sure many experienced readers will disagree with this being on anyone’s “best” list. It’s not on mine either. This is, however, a book with a plot twist that is overshadowed by Christie having used it before, but which is still a solid hoodwinking of the reader. It is flawed, partly by Christie having not really understood at this late point in her life what young people were taking for granted and partly by most people having first experienced it through a ghastly filmed version that ruthlessly sucked the intelligence out of the work. But I encourage its naysayers to give it another look; the concept is great, the writing is head and shoulders most books she wrote at this late stage, and it showed she was ready to try something new and different.

Unfinished_Portrait_First_Edition_CoverUnfinished Portrait (1934)

As by Mary Westmacott. Simply put, this is what an Agatha Christie novel reads like when she hasn’t put a murder into it; a story about a shy girl who is in the middle of a divorce who comes to terms with her past. You may think this has something in parallel with Christie’s own life. I think it’s interesting that she wrote this nearly simultaneously with Murder on the Orient Express. I’m not going to claim that Christie was in any sense held back by writing about series characters, but I think much of her non-series work has a more casual tone that suits her writing skills very well.

SpidersWebFinalweb1Spider’s Web (2000)

As novelized by Charles Osborne. I would actually recommend that you seek out a theatrical production of this play on video, if you can find one; it was originally written as a play specifically for Margaret Lockwood and it’s a wonderful starring vehicle for a 30-something actress. It’s also an interesting experience for a Christie aficionado because it recycles ideas and materials from a handful of other Christie short stories and novels, and it’s fun to think, “Oh, THAT’s from that short story about the movie star…”  The mystery is clever and the characterization is excellent. The Charles Osborne version seems to postpone all the tension in the book to a series of revelations at the end of the novel, boom boom boom like a fireworks display, but the play is balanced and fun. I do regret the addition of the character of the adolescent girl — generally, not an appealing aspect to an on-stage production for me — but apparently Margaret Lockwood’s real-life daughter was supposed to play the role.

12-hollowThe Hollow (1946)

This is a Poirot novel in which Christie later mentioned she wished she hadn’t included Poirot. I’m not sure if this would have made it better or worse. I do think this could have been a magnificent novel if she had taken more care in writing it. The character of Henrietta Savernake is beautifully written and wonderfully realistic; so much better-written than the rest of the novel that it’s quite jarring.  In particular the character of Lady Angkatell is … well, to me, just awful. Cardboard with a sign around her neck that says “eccentric peeress”. One great character, one terrible character, all adds up to a sadly flawed novel. But the central premise, the identity of the murderer, takes me back to an Anthony Berkeley novel I read not too long ago in which the author is playful with the idea of the “least likely suspect”. I think people have overlooked just how clever this novel is in that respect. Robert Barnard joins me in esteeming this one.

8849123536_95d37523a0The Big Four (1927)

As I noted above, I do like the occasional magnificent failure. This failure isn’t even really magnificent, but it is of interest to the student of vanished literary sub-genres. This is a novel of “international intrigue and espionage”, with which we certainly do not associate Agatha Christie as an expert. But this is a bizarre and highly melodramatic thrill-ride which I don’t believe anyone is meant to take seriously, and this particular type of novel pretty much vanished at about this time. It’s rather like E. Phillips Oppenheim or Edgar Wallace; vast international criminal conspiracies and the highest political stakes, and poor Hercule Poirot seems rather out of place. This is also cobbled together out of a set of short stories, which doesn’t happen much these days; it produces wild shifts in tone and atmosphere and these things disconcert the reader. The high points are the presence of Vera Rossakoff and the only appearance of Poirot’s twin brother Achille.

UnknownN or M? (1941)

The material in this novel of Tommy and Tuppence Beresford interests me because it’s one of Christie’s few attempts to deal directly with World War II. Poirot and Marple, we know, did not serve their country in any way other than solving mysteries while the constabulary was at war. The Beresfords did their bit as government agents, however, and this novel contains quite a bit of background colour about daily life in wartime, with rationing and black-out curtains and all. Unfortunately Christie chose to focus on the espionage aspect rather than a straightforward mystery and the result is somewhat tepid and inevitable. (If there is a wartime British novel wherein the triumph over German spies is not a 100% certainty, I’d like to see it.)

Ten Little Niggers (1939)

Let me say right off the bat, I don’t like that word any more than you do. But given the fact that it is the original title of the book that the Christie estate has just finished declaring is the favourite Christie novel (now known as And Then There Were None), and it’s sold 100,000,000 copies, I think it should be a point of honour for the true Christie student to track this down and see how this book originated. I have said elsewhere and will repeat here that I don’t think it is a good idea to censor history. It is important to say, when we are forced to use that distasteful word, that it is merely to remind ourselves that people used to use this word and we do not use it today; simply put, we have to know what we hate about this word’s meaning and history in order to combat it more effectively. If we bowdlerize it out of the literature then we run the risk of future generations thinking of this sort of linguistic bullying as something new and fresh, rather than something that has been disparaged by correct-thinking people in the intervening generations.

That being said — once its title was mercifully changed, this is a superb novel. If you have only seen adaptations on television, you’d be well advised to go back and find out how it all got started because, indeed, it was made much more cheery for stage and video productions. In the original, there is no happy ending; there is no love story. And there are more murders committed or disclosed in this one novel than in any other Christie title, or indeed a random half-dozen Christie titles added together. All the characters are unpleasant criminals and there’s a kind of morbid pall, and fear of retribution, that hangs over the novel very effectively.

And so I’ll throw this open to my audience. What Agatha Christie novels do you particularly cherish that have been left off top ten lists? What have we all overlooked in Christie’s work that we ought to have read?

200 authors I would recommend (Part 1)

8f881f43035e3361e41fd1063c8f087cAt more than one point in my life, I spent my working days standing behind the counter of a murder mystery bookstore essentially recommending books to people — because I had read so damn many of them. I’ve been an omnivorous and reasonably indiscriminate reader now for decades, helped by a natural talent for speed-reading and a very good memory, and as a result there are very, very few mystery writers whose work has never crossed my path or about whom I don’t have some kind of opinion. I like all kinds of books, and all kinds of mysteries; when it comes right down to it, if it looks like a mystery I’ll usually give it an hour. I frequently get asked to recommend a good mystery and I’m happy to do so; sometimes I’ll recommend an average one, if I think it will appeal to a specific reader for a specific reason.

074bc0a398a016801d420210That being said, there’s a certain category of books that finds a place on my shelves and stays there, rather than getting cleared out in a once-a-decade fit of temper. I have met many people who are baffled that I can read a murder mystery more than once; but for me, there’s a certain kind of novel that I believe only reveals its secrets upon a second or third reading. Those are written by the authors whom I will track down everything they ever wrote and keep it, as best I can. And those are the authors whom I’ll recommend.

I decided to do a list of my own, Part 1 of which is below. I’ll try to annotate it for you, to give you a hint of my favourite books or even where to start. This can’t be a comprehensive list; in fact, its secret is that I went through the excellent website that lists mysteries and their authors, Stop, You’re Killing Me!, and skimmed through its 4,600 authors looking for names that struck a chord. I can’t say it’s every author I would ever recommend, and no doubt I will be horribly embarrassed to realize that I have missed one or two essential names. There are one or two names whom others find essential that I cannot recommend because they bore me or annoy me; I have not received much enjoyment from Ruth Rendell, for instance. But for Rendell’s work, I could even recommend one or two titles I’ve enjoyed (From Doon with Death, her first, was a breath of fresh air). The names here are authors for whom, by and large, I’m fairly confident that you will pick up a book of theirs at random and find something to enjoy.

c10779This is a personal list; these are the authors that I like, not the ones I think you should read because they are significant. They appear to be skewed in a few directions by my personal experience; you’ll find a lot of gay mysteries, a lot of Canadian mysteries, and a bunch of my personal friends. Your mileage may vary. As always, your comments and polite disagreements are very welcome.  I’ve done the list of 200 names already and will post them in bunches as I find time.

You’ll find that if you click on the author’s name, it will take you to a list of his/her/their works.

  1. Abbot, Anthony
    The Thatcher Colt mysteries date back to the 1930s and were the source material for a couple of interesting old films. You may find these difficult to acquire but keep your eyes open, they’re worth it. Classic American detection with good writing and interesting plots. I liked About the Murder of the Nightclub Lady; About the Murder of the Clergyman’s Mistress is tough to find but very enjoyable.
  2. Aird, Catherine
    Modern British detective novels in the classic whodunit style, these mysteries have a gentle sense of humour, a knowing approach to human nature, and clever plots. The Complete Steel has a wonderful ending; The Religious Body is a gently clever puzzle mystery.
  3. Aldyne, Nathan
    he four novels in the Valentine and Clarisse series (Vermilion, Cobalt, Slate, and Canary) about a handsome gay bartender and his zany best girlfriend who solve mysteries in and around the gay community are uneven and occasionally silly, but they have an enormous amount of joie de vivre and will let the average reader know what the gay community was like in the halcyon period immediately before HIV.
  4. Ames, Delano
    The Dagobert and Jane novels from, essentially, the 1950s are pretty much screwball farce wrapped around clever mystery plots. Very good fun. I started with a good one, Corpse Diplomatique, which gave me the taste for them.
  5. Anderson, James
    I recommend the three Inspector Wilkins mysteries, which are lovely send-ups of the classic Golden Age mystery, starting with The Affair of the Bloodstained Egg Cosy; the novelizations of three of the episodes of Murder, She Wrote are actually readable.
  6. Aspler, Tony
    I’ve never met my fellow Canadian Mr. Aspler, but his three 90s mysteries about a Toronto wine journalist are amusing, very readable, and informative. Start with Blood Is Thicker Than Beaujolais.
  7. Bailey, H. C.
    The volumes about Dr. Reginald Fortune, mostly collections of short stories from the 1930s, are justly famous and worth your attention. Pretty much any volume with his name in the title is a good introduction. Bailey had an expert hand with the puzzle short story; the characterizations are sometimes flat but there are stories that will stay with you for a long time.
  8. Barnard, Robert
    An expert on Agatha Christie and a writer in the classic mode, his books from 1974 to 2011 are a wonderful mix. Some are hilarious and farcical — Corpse in a Gilded Cage and Death on the High C’s will leave you with tears of laughter. And some are intelligent and literary and very serious, like Out of the Blackout. He wrote mysteries in three series with Mozart as a detective, and a minor British aristocrat, and a young black Scotland Yard detective; his range was huge and his intelligence shines through every book. Most unusually, he wrote about series detectives with an equal facility to his one-off non-series novels; the stand-alone novels may be his best work.
  9. Beeding, Francis
    Beeding wrote thrillers that might seem antique and slow-moving to the modern reader, but he was a careful constructor and technician and you will find yourself turning pages late into the night — the best recommendation of all.
  10. Bell, Josephine
    Classic British mysteries, frequently with a medical background; the earliest ones are the best. Death at the Medical Board and Murder on the Merry-go-Round might be easiest to find, and they are a good introduction.